Reflections on Midsommar
My thoughts on Midsommar haven't evolved much since I saw it the other day, but they won't go away, either. I've enjoyed having ideas and images from the movie float around in my mind, but I don't think I'll be satisfied until I share my thoughts on them. <SPOILERS AHEAD> Director Ari Aster has said he was trying to make "a big operatic break-up movie." Midsommar is certainly that. Sentencing your boyfriend to death is perhaps the most operatic break-up imaginable. What makes the movie work so well, for me, is how deeply we are drawn into Dani's plight. It's not that she simply needs to get rid of her manipulative, toxic boyfriend. No, she needs to understand what he has been doing to her. She needs to grow to the point where she is emotionally capable of breaking up with him. That's why Florence Pugh's performance is so central to the success of the film. She brings us up from the depths of emotional trauma, through maddening maz